1500 California Place Names

 1500 California Place Names

Their Origin and Meaning, A Revised version of 1000 California

Place Names by Erwin G. Gudde, Third editionWilliam Bright

This is the new “pocket” version of the classic California Place Names, first published by

California in 1949. Erwin G. Gudde’s monumental work, which went through several

editions during its author’s lifetime, has now been released in an expanded and updated

edition by William Bright. The abridged version, originally called 1000 California Place

Names, has grown to a dynamic 1500 California Place Names in Bright’s hands. Those who

have used and enjoyed 1000 California Place Names through the decades will be glad to

know that 1500 California Place Names is not only bigger but better. This handbook

focuses on two sorts of names: those that are well-known as destinations or geographical

features of the state, such as La Jolla, Tahoe, and Alcatraz, and those that demand

attention because of their problematic origins, whether Spanish like Bodega and Chamisal

or Native American like Aguanga and Siskiyou.

Names of the major Indian tribes of California are included, since some of them have been

directly adapted as place names and others have been the source of a variety of names.

Bright incorporates his own recent research and that of other linguists and local historians,

giving us a much deeper appreciation of the tangled ancestry many California names

embody. Featuring phonetic pronunciations for all the Golden State’s tongue-twisting

names, this is in effect a brand new book, indispensable to California residents and visitors

alike.

Aptos (Images of America)

 

Aptos Images of America

Aptos is a coastal town filled with beaches, a federally protected redwood forest, a community college, shopping centers, a golf course, and more. It is also home to the self-proclaimed “World’s Shortest Parade,” which takes place every Fourth of July. The true meaning of Aptos lacks definitive evidence; however, all sources agree that it is derived from an Indian word. The most common belief is that Aptos translates to “the meeting of two streams” or some variation of that phrase. The two bodies of water the name describes are known today as the Valencia and Aptos Creeks. Another explanation is that the town is named after a famous Indian chief. A third theory comes from Fr. Juan Crespi’s interpretation of the native language on the Portola Expedition of 1769. Although the native people had been here for thousands of years, the first deed of land was not granted to Rafael Castro until 1833. In its relatively short life, Aptos has changed significantly.

This is a collection of stories and photographs, selected by Kevin Newhouse and the Aptos History Museum Committee that best allows readers to travel back and visit Aptos through the years.

Geology of the Northern Monterey Bay Region

Are you getting curious about rocks? Want to know more about the fossils you’ve spotted in the creek at Nisene Marks, or the cliffs at Seacliff? Want to learn more about the Sand Hills of Henry Cowell, or how to “read” the history of our area hidden in stone? You’re in luck – local author Frank A Perry has written a comprehensive guide to the geology of our home! There’s even information about the history of adobe bricks, and the restoration of the Castro Adobe State Historic Park! 

The northern Monterey Bay region has more interesting geologic features packed into a small area than almost any other part of California. Its dynamic history has been shaped by dramatic uplifts, volcanic eruptions, rising and falling sea levels, and the ever-moving San Andreas Fault. The book explores in simple language an amazing diversity of topics. These include rocks, fossils, earthquakes, beaches, minerals, water, marine terraces, and the Monterey Submarine Canyon. The author places each within the context of human history, and the book includes activities, places to visit, and sources for further reading.

Haunted Santa Cruz

Though generally a peaceful coastal city, the dark stains from Santa Cruz’s past still linger. A former Spanish Mission, Holy Cross Catholic Church harbors a dark history of a brutal revolt of native Ohlone Indians that killed the cruel Father Andres Quintana. Frequented by mobsters and celebrities in its heyday, the famous Brookdale Lodge’s most talked-about guest is the ghost of a little girl who died nearby in 1892 after nearly drowning. Terrorized by three different serial killers during the 1970s, the city earned the nickname of “the Murder Capital of the World.” Local resident Alfred Hitchcock derived inspiration for his iconic film Psycho from the haunted mid-nineteenth-century Hotel McRay. Tracing the city’s eeriest incidents back to their roots, historical researcher and paranormal investigator Maryanne Porter details these and many more stories of local legend and lore.

Native American Testimony

In a series of powerful and moving documents, anthropologist Peter Nabokov presents a history of Native American and white relations as seen though Indian eyes and told through Indian voices. Beginning with the Indians’ first encounters with European explorers, traders, missionaries, settlers, and soldiers to the challenges confronting Native American culture today, Native American Testimony spans five hundred years of interchange between the two peoples. Drawing from a wide range of sources–traditional narratives, Indian autobiographies, government transcripts, firsthand interviews, and more–Nabokov has assembled a remarkably rich and vivid collection, representing nothing less than an alternate history of North America.

We Are Not Animals by Martin Rizzo-Martinez

Foreword by Amah Mutsun Tribal Chair Valentin Lopez.

By examining historical records and drawing on oral histories and the work of anthropologists, archaeologists, ecologists, and psychologists, We Are Not Animals sets out to answer questions regarding who the Indigenous people in the Santa Cruz region were and how they survived through the nineteenth century. Between 1770 and 1900 the linguistically and culturally diverse Ohlone and Yokuts tribes adapted to and expressed themselves politically and culturally through three distinct colonial encounters with Spain, Mexico, and the United States. In We Are Not Animals Martin Rizzo-Martinez traces tribal, familial, and kinship networks through the missions’ chancery registry records to reveal stories of individuals and families and shows how ethnic and tribal differences and politics shaped strategies of survival within the diverse population that came to live at Mission Santa Cruz.

We Are Not Animals illuminates the stories of Indigenous individuals and families to reveal how Indigenous politics informed each of their choices within a context of immense loss and violent disruption.

Praise

“Deeply researched and fresh in conception, methodology, and breadth, We Are Not Animals is a major contribution to the study of Native California and the missions. . . . In a singular and exceptional way among historians, Martin Rizzo-Martinez identifies Native people by name, family, and tribe and he follows the survivors of the Amah Mutsun nation through the American genocide of the late nineteenth century.”—Lisbeth Haas, professor of history at the University of California, Santa Cruz
***

“Rizzo-Martinez unearths Native voices from the archive to provide an overdue historical account of the Indigenous experience in Santa Cruz and surrounding region. By decentering colonial institutions like the missions and non-Native voices, Rizzo-Martinez effectively places Indigenous space and knowledge at the center of this study, a valuable model for future scholars of the Native experience in California.”—Yve Chavez (Tongva), assistant professor of history of art and visual culture at the University of California, Santa Cruz
***
“Both heartbreaking and inspiring, We Are Not Animals is a history of destruction as well as of California Indian survival against great odds. Rizzo-Martinez has written a deeply researched study of Indigenous peoples in Santa Cruz and surrounding areas that improves our understanding of Native American experiences in California as a whole.”—Benjamin Madley, author of An American Genocide: The United States and the California Indian Catastrophe, 1846–1873

Michael Schwab FINE ART PRINT – Natural Bridges

Michael Schwab is the creator of a wide variety of iconic park images, from the Golden Gate National Parks to our very own local series of state parks and beaches.

Commissioned by Friends of Santa Cruz State Parks in 2005, the classic four Santa Cruz images (Wilder Ranch State Park, Natural Bridges State Beach, Seacliff State Beach and the Forest of Nisene Marks) were updated with the Adobe Series in 2014  (the Santa Cruz Mission State Historic Park and the Castro Adobe State Historic Park).

The images evoke the 1930s WPA era, when Californians first voted to support State parks. Each giclee print is created with archival-quality pigment on paper with a neutral pH. The depth of the colors immediately set these fine art prints apart from other reproductions. They immediately elevate whatever space they are introduced to, whether that’s an office space, lobby, living room, or bedroom. All prints are sold unframed.

Whether you want to commemorate a favorite park with a single print, or complete your set of six, your purchase of these limited-edition, signed fine art prints will support our cherished local State Parks and Beaches.

Dimensions for the Natural Bridges Fine Art Print are 14 inches x 30 inches.

Pricing for Friends’ Michael Schwab series is as follows (all prints are unframed):

  • Single prints, including the Adobe Series and the classic That’s My Park illustrations, are $150 each
  • Purchase both Adobe Series prints, the Mission and the Castro, for $250 (a $300 value).
  • A set of any four Schwab prints is $500 (a $600 value).
  • Buy the complete set of Michael Schwab prints, including all six images, for $750 (a $900 value).
  • Fine art prints are not eligible for member discounts, flash sales, or holiday sale discounts.

In order to receive special pricing on multiple prints, please email Kat at kat@thatsmypark.org.

Each print requires careful handling and packaging and must be insured before they can be shipped. In order to be sure your prints make it to you quickly and safely, a $20 shipping and handling fee will be added to your purchase.  

For questions or further information about the fine art prints, please contact Kat Bailey at kat@thatsmypark.org or at (831) 429 1840 x305.

Images and descriptions of all artwork are reproduced and displayed to reflect the art piece and artist as accurately as possible online; actual pieces can vary slightly in coloring, shading and lighting. This is because every computer monitor and cell phone screen has a different capability to display colors and everyone sees these colors differently. Therefore, we cannot guarantee that the color you see on your screen accurately portrays the true color of the artwork.

Discovering Mission Santa Cruz

Learn about the fascinating history of the Santa Cruz Mission, the 12th of the 21 Spanish Missions in California. The content provided in this book, aligned to California state standards, will provide students with a greater insight into the story of Santa Cruz and California’s mission system. This book is filled with excellent primary source materials and visuals, including illustrations, paintings, and maps.

Available in English and in Spanish. 

Tending the Wild by M. Kat Anderson

John Muir was an early proponent of a view we still hold today—that much of California was pristine, untouched wilderness before the arrival of Europeans. But as this groundbreaking book demonstrates, what Muir was really seeing when he admired the grand vistas of Yosemite and the gold and purple flowers carpeting the Central Valley were the fertile gardens of the Sierra Miwok and Valley Yokuts Indians, modified and made productive by centuries of harvesting, tilling, sowing, pruning, and burning. Marvelously detailed and beautifully written, Tending the Wild is an unparalleled examination of Native American knowledge and uses of California’s natural resources that reshapes our understanding of native cultures and shows how we might begin to use their knowledge in our own conservation efforts.

M. Kat Anderson presents a wealth of information on native land management practices gleaned in part from interviews and correspondence with Native Americans who recall what their grandparents told them about how and when areas were burned, which plants were eaten and which were used for basketry, and how plants were tended. The complex picture that emerges from this and other historical source material dispels the hunter-gatherer stereotype long perpetuated in anthropological and historical literature. We come to see California’s indigenous people as active agents of environmental change and stewardship. Tending the Wild persuasively argues that this traditional ecological knowledge is essential if we are to successfully meet the challenge of living sustainably.

We Are the Middle of Forever: Indigenous Voices from Turtle Island on the Changing Earth

Edited by Dahr Jamail and Stan Rushworth

A powerful, intimate collection of conversations with Indigenous Americans on the climate crisis and the Earth’s future

“Mankind has a chance to change the direction of this movement, do a roundabout turn, and move in the direction of peace, harmony, and respect for land and life. The time is right now. Later will be too late.” —Hopi elder Thomas Banyacya, from the introduction

Although for a great many people, the human impact on the Earth—countless species becoming extinct, pandemics claiming millions of lives, and climate crisis causing worldwide social and environmental upheaval—was not apparent until recently, this is not the case for all people or cultures. For the Indigenous people of the world, radical alteration of the planet, and of life itself, is a story that is many generations long. They have had to adapt, to persevere, and to be courageous and resourceful in the face of genocide and destruction—and their experience has given them a unique understanding of civilizational devastation.

An innovative work of research and reportage, We Are the Middle of Forever places Indigenous voices at the center of conversations about today’s environmental crisis. The book draws on interviews with people from different North American Indigenous cultures and communities, generations, and geographic regions, who share their knowledge and experience, their questions, their observations, and their dreams of maintaining the best relationship possible to all of life. A welcome antidote to the despair arising from the climate crisis, We Are the Middle of Forever brings to the forefront the perspectives of those who have long been attuned to climate change and will be an indispensable aid to those looking for new and different ideas and responses to the challenges we face.